April 2022 Indie Next List
“Part academic satire, part mystery that keeps you reading. Told with sharp and tender wit, Disorientation is one of the most original debuts I’ve ever read.”
— Shannon Alden, Literati Bookstore, Ann Arbor, MI
“The funniest, most poignant novel of the year.” —Vogue
“Disorientation does what great comedies and satires are supposed to do: make you laugh while forcing you to ponder the uncomfortable implications of every punchline.” —The Washington Post
A Taiwanese American woman’s coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel.
Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after years of grueling research, all she has to show for her efforts are junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, she convinces herself it’s her ticket out of academic hell.
But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, upending not only her sheltered life within academia but her entire world beyond it. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda.
In the aftermath, nothing looks the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the super kawaii Japanese author he’s translated, doubts and insecurities creep in for the first time… As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and, most of all, herself.
For readers of Paul Beatty’s The Sellout and Charles Yu’s Interior Chinatown, this uproarious and bighearted satire is a blistering send-up of privilege and power in America, and a profound reckoning of individual complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Elaine Hsieh Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.
About the Author
Elaine Hsieh Chou is a Taiwanese American writer from California. A 2017 Rona Jaffe Foundation Graduate Fellow at NYU and a 2021 NYSCA/NYFA Artist Fellow, her short fiction appears in Black Warrior Review, Guernica, Tin House Online, and Ploughshares. Disorientation is her first novel.
“[F]unny and insightful, with plenty to say about art, identity, Orientalism and the politics of academia.” —Steph Cha, New York Times Book Review
“[A] literary satire that takes a hilarious and refreshingly honest look at the power dynamics of college campuses…This one will have you rolling over with laughter and texting your college group chat.” —NPR, “Books We Love 2022”
“A rollicking, whip-smart ride through the hallowed halls of academia.” —Harper's Bazaar
“As the best comedy does, Disorientation manages to highlight uncomfortable truths, capture gray areas and hard lines, and resist sliding into easy binaries of heroes and villains.” —Vanity Fair
“A hilarious campus satire.” —New York Post
“The pleasures of Elaine Hsieh Chou’s campus satire are in high supply . . . In the tradition of Donna Tartt’s The Secret History and Elif Batuman’s The Idiot, Chou has written a delightful new chapter of dark academia.” —Vogue
“Elaine Hsieh Chou’s debut novel Disorientation is a rollicking satire of graduate-school life, Asian-American overachievers, and the peculiar injustices of the university . . . Disorientation is a page-turner studded with razor-sharp one-liners . . . Its twists and turns propel the plot while skewering topics from anti–affirmative action sentiment among Asian Americans to the jargon-heavy stylings of academic prose to the diabolically chameleonic quality of the American right. Along the way, Ingrid’s archival mystery leads her out of her dissertation funk and into a tangle of betrayal and deception that forces her to reevaluate her own self-deceiving beliefs about what it means to be an Asian scholar and an Asian woman in America.” —Sarah Chihaya, New York Review of Books
“Disorientation does what great comedies and satires are supposed to do: make you laugh while forcing you to ponder the uncomfortable implications of every punchline . . . Chou’s novel is a promising debut, one that makes this reader look forward to what she will make fun of next.” —Leland Cheuk, The Washington Post
“This book has so many stifle-a-strangled-laugh lines you might want to refrain from reading it in a library or a train’s quiet car. Chou’s novel is a send-up of the polite, cardigan-draped white supremacy of liberal arts colleges . . . Between hiring a private investigator, staging a break in, flooding a gender neutral bathroom, and smoking weed with a professor, she uncovers a shocking truth—an act of racism in the academic world that had gone unnoticed for decades . . . In an entertaining takedown, Chou explores who the university really belongs to.” —Glamour
“Disorientation is a deeply smart, satirical novel that takes a critical look at racism in academia.” — Buzzfeed
“Chou's debut novel is a searing literary satire of campus politics.” —Entertainment Weekly
“[S]earing satire . . . Chou details her protagonist’s struggles with dry humor and wit.” —Time
“Disorientation satirizes academia, PC culture and every other topic it touches, bringing into question the very etymology of its title. Occasionally veering toward absurdity, the novel finds its way back to painful reality in a dizzying-yet-delightful oscillation…Though you would never know it from how fun this wild ride is, Disorientation is a seminar bursting with lessons on race, gender and culture, complete with a bibliographical Notes section and everything. Chou clearly did her research.” —Associated Press
“A deft twist on the campus satire.” —Vulture, Notable New Releases
“[Disorientation] is captivating, irresistible, and intensely readable, and what we ultimately come to literature to find . . . It can be difficult to envision a book tackling themes of identity, systemic discrimination, and exclusion as laden with humor, but this book certainly delivers . . . The book expands in scope with each passing page, integrating newer and more experimental forms and swallowing larger subject matter. We begin at the campus novel, at critiques of university hierarchy, and end up considering all of American politics and the evolution of racism, fetishism, and social stratification . . . [W]hat Disorientation shows us is that there is power in the page-turner, that literary merit and a unique, propelling story are not mutually exclusive. Of course, those of us who love reading know this already, but books like this show us that it never hurts to be reminded.” —Malavika Praseed, Chicago Review of Books
“Fans of blistering American satires like Paul Beatty’s The Sellout and Charles Yu’s Interior Chinatown won’t want to miss Elaine Hsieh Chou’s electrifying debut Disorientation, which turns the campus novel on its head with its portrait of a Taiwanese American PhD student lost in her own research. Taking on fraught topics like appropriation and the ‘model minority’ in academia, it goes big in the best way, announcing an exciting new voice.” —Chicago Review of Books, 12 Must-Read Books of March
“Elaine Hsieh Chou’s debut Disorientation is an inventive campus novel that satirizes academia in an over-the-top, compulsively readable mystery. . . . Ingrid’s identity as a graduate student is central to the novel, and Chou captures this experience expertly—the spirit of department politics, the competition between grad students, the deep sense of insecurity in your research, your future, yourself. Her identity is layered with her identity as a Taiwanese American woman; Ingrid’s experience with her research subject is complicated by her largely white department and her own experience growing up in a white town. It’s this complexity and Ingrid’s personal journey over the course of the academic year that makes Disorientation not only an outrageously enjoyable academic mystery, but also a moving portrayal of self-discovery.” —Ploughshares
“Both deeply moving and rivetingly funny, Disorientation is a master class in satire with surprises around every corner. It is a roaring meditation on the ivory tower and Asian American identity that does not mince words about anyone in its illustrious cast of characters. Chou’s first foray into fiction left my mind sharp, my heart full, and my belly weak from laughter.” —Allison Meakem, Foreign Policy
“[A] deeply smart (and funny) satire on the pressures, power imbalances, and racism within the academic world.” —theSkimm
“[Disorientation is] lucid and hilarious and hopeful and grim; in the same absurd style of Paul Beatty, Elaine Hsieh Chou’s intellectually sexy book hits all the hot topic arguments of Asian American discourse and higher education identity politics. She lays out the ideological stakes — the personhood of Asian women as people, not objects — and the threat posed by pervasive and internalized racism.” —The Michigan Daily
“Disorientation has been called a campus satire, but it’s also so much more. In it, I found a lifetime’s worth of self-interrogation and growth. Lessons on how to survive and fight when your entire life is consistently and flippantly diminished by strangers... Elaine Hsieh Chou will be one of the foremost voices of our time.” —Singapore Unbound
“Here is a writer whose rage and acerbic wit is both a joy and a relief. Sometimes surreal, always sharp, and wonderfully capacious, Disorientation is the whodunnit we need right now.” —The Adroit Journal
“Gleefully dark and incisive . . . Chou's examination of the catch-22s faced by Asian Americans, particularly women, straddles the line between satiric and searing . . . Disorientation is the best combination of entertaining and thought-provoking, and Chou is an exciting new voice in novel-length fiction.” —Shelf Awareness
“Chou effectively skewers a world that takes itself all too seriously . . . This will charm a wide set of readers, not just those pursuing PhDs.” —Publishers Weekly
“A fresh, hilarious and thoughtful satire that'll make you think about cultural identity in a whole new way.” —Good Housekeeping, The 15 Best and Most-Anticipated Books of 2022
“Disorientation is an irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba liberalism, but lastly and most importantly, it’s a satire, inspired by recent controversies, about an orientalist tradition and its manifestations today. Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper.” —Cathy Park Hong, author of Minor Feelings
“Chou’s pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared.” —Raven Leilani, author of Luster
“Disorientation is a multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit, in which the murder victim might be your idea of yourself—no matter how you identify. I often held my breath until I laughed and I wouldn't dare compare it or Chou to anyone writing now. Wickedly funny and knowing, Chou’s dagger wit is sure-eyed, intent on what feels like a decolonization of her protagonist, if not the reader, that just might set her free.” —Alexander Chee, author of How to Write an Autobiographical Novel
“Disorientation is the funniest novel I’ve read all year . . . This uproarious tale of a young woman’s quest to uncover the truth about the world’s most famous Chinese American poet is packed full of sly truths about race, love, and life in general—all of which you’re going to miss, because you’ll be laughing so hard.” —Aravind Adiga, author of The White Tiger